The GoodBad The Queen The GoodBad The Queen

There they recorded at Afrodisia Studios, once used by Fela Kutiwith a The GoodBad The Queen The GoodBad The Queen variety of local musicians, committing huge numbers of songs and ideas to tape before returning to England once more. The track listing was originally unveiled and commented upon by Damon Albarn and Paul Simonon in an interview in the November issue of Uncut. The band decided to record the track and Albarn decided to "finish it by explaining how I lost this song and now it's come back to me. Tomorrow Comes Today iTunes Session. Retrieved 4 April

More on Genius. Cello Isabelle Dunn. Keyboard Damon Albarn. Vocals Damon Albarn. Double Bass Al Mobbs. Drums Tony Allen. Guitar Simon Tong. Bass Paul Simonon. Synthesizer Danger Mouse. Programming James Dring. Release Date January 22, History Song. It is stated that the record is, in a sense, a concept album , as its songs are all themed around modern life in London.

The single followed the band's appearance at the BBC 's Electric Proms season at the redeveloped Roundhouse in Camden on 26 October, during which they performed the entire album. Whippy"; the latter was a B-side for "Herculean". The band performed four tracks from the album at Abbey Road Studios on 13 December , during a recording session for Live from Abbey Road.

For the first few months, Allen would travel from Paris where he has a permanent home to London to work in Albarn's Studio 13 for 3 days a week, writing, rehearsing and recording. At the same time as the initial recordings in the UK, Albarn had begun demoing for the second Gorillaz record and by early spring had invited in producer Danger Mouse to oversee the album. Albarn was keen to work in Africa with local musicians again after his work on the album Mali Music released so Tony Allen suggested that the four of them including Danger Mouse decamp to his home country of Nigeria to continue the sessions.

There they recorded at Afrodisia Studios, once used by Fela Kuti , with a huge variety of local musicians, committing huge numbers of songs and ideas to tape before returning to England once more. The track listing was originally unveiled and commented upon by Damon Albarn and Paul Simonon in an interview in the November issue of Uncut.

It was watched by specially selected fans, as the launch gig of MySpace 's The List. The band released their first Top 20 single, " Kingdom of Doom ", a week prior to the release of the album. Paul Simonon told the magazine how the record came about: "It's not a commercial record, so OMM's award shows that you can make music that moves people without going down the obvious route.

I hadn't been in a band for 17 or 18 years, and then Damon asked me to listen to some tracks he'd recorded in Nigeria. I'd met him once before, at Joe Strummer 's wedding reception. We shared ideas about people, musical styles and where we live. With the music, I wanted to complement Tony's drums. I'm not into over-complication — I'm not capable of it, to be honest. The lyrics, the London atmosphere, all that evolved as we played.

There's a lot of craftsmanship on the record, and Damon has a vision for arrangements, and everyone slotted in around them. We won't make another record, and we didn't properly name the band, because a name is for a marriage. In an interview with Pitchfork about Danger Mouse's involvement in this album, Albarn states: "He was quite adamant that we don't do any kind of harmony and that I kept it a single voice. I thought, "Well that's great. His attention to that detail was important.

And it helped me write the lyrics. It cleared the way for it just having to be a single voice. He's an exceptional talent. With Brian [Danger Mouse] being a kind of third party so to speak, it helps to have someone there.

You want a band to work itself, but at the same time you want it to be the best that it can be. I tried it the other way, with Tony leading the tracks when I went to Lagos , and it was great but I didn't fit into that. That is why I scrapped the whole record, because I thought I should be involved at least.

Albarn wrote the original version of the song " Green Fields " following a night out with Blur bassist Alex James and Marianne Faithfull. That demo was recorded in a studio on Goldhawk Road, Hammersmith and Albarn gave the tape to Faithfull.

The band decided to record the track and Albarn decided to "finish it by explaining how I lost this song and now it's come back to me. So it's a song about a song. From Wikipedia, the free encyclopedia. Redirected from The Good, the Bad and the Queen album. Retrieved 14 August The A. Retrieved 17 January Entertainment Weekly. The Guardian. Los Angeles Times. Archived from the original on 3 March Q : February Rolling Stone. Archived from the original on 1 February Daily Record.

Retrieved 24 March

The Good, The Bad And The Queen Lyrics Moving uptown But I know it's the path I should be Streets are all quiet And no one saying nothing at all Then the sun came out of the clouds And charged up the satellites And we all got our energy back And started talking again It's the blessed routine For The Good The Bad And The Queen Just moving out of dreams With no physical wounds at all Don't kick the crackheads off the green They're a political party And the kids are never gonna be tired 'Coz everything has so slightly Everything has so slightly come Everything has so slightly come.

More on Genius. Cello Isabelle Dunn. Keyboard Damon Albarn. Vocals Damon Albarn. Double Bass Al Mobbs. Drums Tony Allen. Guitar Simon Tong. Bass Paul Simonon. Synthesizer Danger Mouse. Programming James Dring. Release Date January 22, Q : February Rolling Stone. Archived from the original on 1 February Daily Record.

Retrieved 24 March Time Out. New York. Archived from the original on 14 November The Good, the Bad and the Queen — official website. Archived from the original on 21 July Retrieved 9 February Retrieved 30 July Retrieved 28 July Retrieved 21 January Retrieved 20 May Retrieved 28 November Retrieved 20 February Archived from the original on 18 May Retrieved 4 April The Sun.

Retrieved 2 March British Phonographic Industry. Select albums in the Format field. Select Gold in the Certification field. Damon Albarn. Everyday Robots. Ravenous Journey to the West. Democrazy Leave-Taking. Laika Come Home. Tomorrow Comes Today iTunes Session. James Ford. The Clash. Combat Rock Cut the Crap.

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